Contents • • • • • • Biography [ ] Born in, he began the violin at age six, and started playing the piano at age ten, and bass at fourteen. As a young man in Europe, Vitouš was a competitive swimmer.

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One of his early music groups was the Junior Trio with his brother Alan on drums and fellow Czech luminary-to-be on keyboards. He studied music at the (under ), subsequently winning an international music contest in, earning him a scholarship to the in, Massachusetts, USA. In 1967, in, saw Vitous playing with and invited him to join his group for a residency at New York’s.

Vitouš's jazz bass playing has led critics [ ]to place him in the same league as,, and. A representative example of Vitouš's double bass playing is (1968), with on piano and on drums. This album shows his strong rhythmic sense, innovative walking lines, and intensity and abandon as an improviser. His first album as a leader,, re-released with minor changes as, featured several key figures from the then-budding jazz fusion movement:,,, and. He has worked with,,,,,,, and. Sean Levert The Other Side Rarest.

In 1970 he was a founding member of the group. In 1973 he was replaced by and compensated [ ] as a founding member. Vitouš has since discussed his contentious departure from Weather Report with journalists, specifically regarding his relationship with Zawinul. He stated, 'I enjoyed the beginning of it very much, but it turned into a little bit of a drag in the end because Joe Zawinul wanted to go in another direction. The band was seeking success and fame and they basically changed their music to go a commercial way into a Black funk thing'. He also felt aggrieved financially – 'I was an equal partner and basically, I didn't get anything. We had a corporation together that was completely ignored.

If you have a company and three people own it, and then two people say 'Okay, we don’t want to work like this anymore. It's just two of us now,' normally, they break down the stock and pay off the third person'. In 1981 he performed at the, held in celebration of the tenth anniversary of the. In 1984 he collaborated with.

In 1988 Vitouš moved back to Europe to focus on composing, but nonetheless continued to perform in festivals. In 2001, Vitouš reunited with Corea and Haynes (as the Now He Sings, Now He Sobs trio) for a concert in a series entitled 'Rendezvous in New York' in celebration of Corea's 60th birthday. The came out in 2003, and earned Corea a on the composition 'Matrix', on which Vitouš played.