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Review: Germany's K7 have got it on lock-down with this latest 12', a full rework EP of Actress' 'Bird Matrix' killer by a pair of dance luminaries. First up is Venezuela's Kid606, a man who has been making 'outsider' music since before the term was ever coined, and one who has been every bit as important to the dance music scene all the more commercial names. Kid606's Club Mix is driving, filled with slithering percussion and led by a gorgeous swarm of aqueous synths and Zelda-like sonics, while the dub version slows things down and muddies the groove up into a heady, meditative bundle of melodies and beats. Simbiosi, on the other hand, goes for the jugular and delivers a heavy, stomping techno retuning of the original - what a blinder! There's also a tune by the mysterious Gnesis, 'Pear', which appeared on Actress' own K7 compilation. Review: Akase is Harry Agius aka Midland joined by Robbie Redway on vocals.
'Murmur' is a slice of sophisticated modern synth pop reminiscent of Delphic or The Howling. Rather high production values on here with rich and elevating synth textures supporting Redway's brilliantly emotive vocals. Producer extraordinaire Ewan Pearson lends his hand to two tremendous remixes of the track.
Ip Man Full Movie Download Hd here. The main remix keeps Redway's vocals on this dark chugging epic, with a dirty arpeggio backed by some superb science fiction synth zaps, until another more soulful arpeggio lead joins the fray. There's a dub version for those of you less keen on the vocals. Review: Akase is the new collaboration between Harry Agius; better known as Midland and vocalist Robbie Redway creating some truly captivating pop-inflected electronica. New single 'Call' is a brooding yet soulful journey full of emotive elements and razor sharp synth programming no doubt influenced by the legendary Ewan Pearson's production duties. It nails the same kind of vibe as other pop-ish electronic acts at the moment such as The Howling or Whomadewho and if you're eager to hear more, we'd definitely recommend the album this single comes from entitled Graspers on K7! Review: The master of wacky techno returns.
Matthew Dear donned his notorious Audion moniker again for his first album in years under the guise. The Alpha LP featured about a dozen woozy and disorienting dancefloor destroyers and two selections are present here getting the remix treatment by two fellow innovators.
The legendary Matthew Herbert remixes 'Gut Man Cometh', scaling back the high-octane psychedelia of the original into a driving journey track with interestingly spiced up vocal samples. Aus Music regular FOLD turns 'Destroyer' into a tough deep house stomper with emotive pads being supported by some gutsy stomp and shuffle. Review: The first Audion album in ten years shows that Matthew Dear's project has lost none of its raw ferocity.